Stanford Root

Schedule

Stanford Root

Schedule

ARTSTUDI 173A

Introductory Photography: Blue

UNITS:4
GRADING:Letter or Credit/No Credit
LEVEL:Undergrad
GER:—

This introductory photography course invites students to explore, reflect on, and be inspired by the color blue. Through the historical process of cyanotype, a low-cost photographic printing method from over a century ago now echoed in contemporary aesthetics such as Instagram filters, students will create their own blue-toned images and artworks. Co-taught with the department's Holt Visiting Artist, the course uses these "blueprints" as a foundation to examine blue as a physical, natural, artistic, and spiritual phenomenon. Students will engage with themes of site specificity, ecological memory, migration, and transformation, while also learning research-based practices that consider the histories of California and of students themselves, and explore how these histories intersect with broader global narratives. Field trips will offer opportunities for on-site research, and the course will culminate in the creation of a large-scale installation in the Coulter Art Gallery. Students will use their own cell phone cameras, and all necessary software and materials will be provided.

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ARTSTUDI 173A: Introductory Photography: Blue

4 units · Letter or Credit/No Credit

This introductory photography course invites students to explore, reflect on, and be inspired by the color blue. Through the historical process of cyanotype, a low-cost photographic printing method from over a century ago now echoed in contemporary aesthetics such as Instagram filters, students will create their own blue-toned images and artworks. Co-taught with the department's Holt Visiting Artist, the course uses these "blueprints" as a foundation to examine blue as a physical, natural, artistic, and spiritual phenomenon. Students will engage with themes of site specificity, ecological memory, migration, and transformation, while also learning research-based practices that consider the histories of California and of students themselves, and explore how these histories intersect with broader global narratives. Field trips will offer opportunities for on-site research, and the course will culminate in the creation of a large-scale installation in the Coulter Art Gallery. Students will use their own cell phone cameras, and all necessary software and materials will be provided.

More ARTSTUDI courses

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  • ARTSTUDI 164A: Imagining Other Worlds: AI and Moving Image (ARTSTUDI 265)
  • ARTSTUDI 165A: Intro to Art & Technology
  • ARTSTUDI 169: Virtual Reality: the possibility and peril of immersive artwork
  • ARTSTUDI 170: Light and Shadow
  • ARTSTUDI 171: Introduction to Photography
  • ARTSTUDI 177G: The Art of Noticing: People and Place
  • ARTSTUDI 189: Bookbinding I: Zines, Pamphlets, and Non-Adhesive Structures
  • ARTSTUDI 192: AI Art & Aesthetics (ARTSTUDI 392, FILMEDIA 192, FILMEDIA 392, TAPS 192A)
  • ARTSTUDI 192A: Making, Knowing, Resisting: Anthropology of Craft (ANTHRO 192, ANTHRO 292, ARCHLGY 192, ARCHLGY 292)
  • ARTSTUDI 201: Art Practice Major Seminar
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