Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 135

Around the World in Ten Films (FILMEDIA 335, GLOBAL 135)

UNITS:3-4
GRADING:Letter (ABCD/NP)
LEVEL:Undergrad
GER:WAY-A-II

This is an introductory-level course about the cinema as a global language. We will undertake a comparative study of select historical and contemporary aspects of international cinema, and explore a range of themes pertaining to the social, cultural, and political diversity of the world. A cross-regional thematic emphasis and inter-textual methods of narrative and aesthetic analysis, will ground our discussion of films from Italy, Japan, United States, India, China, France, Brazil, Nigeria, Russia, Iran, Mexico, and a number of other countries. Particular emphasis will be placed on the multi-cultural character and the regional specificities of the cinema as a "universal language" and an inclusive "relational network."There are no prerequisites for this class. It is open to all students; non-majors welcome.

Syllabus for selected term:
View Spring 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 7768
0 / 80 enrolled
Meeting 1 of 2
DAYS:Thursday
TIME:10:30 AM – 1:20 PM
LOCATION:TBD
INSTRUCTOR:
Levi, Pavle
Meeting 2 of 2
DAYS:Wednesday
TIME:5:30 PM – 7:20 PM
LOCATION:McMurtry Art Building Oshman
INSTRUCTOR:
Levi, Pavle
units

FILMEDIA 135: Around the World in Ten Films (FILMEDIA 335, GLOBAL 135)

3-4 units · Letter (ABCD/NP) · GER: WAY-A-II

This is an introductory-level course about the cinema as a global language. We will undertake a comparative study of select historical and contemporary aspects of international cinema, and explore a range of themes pertaining to the social, cultural, and political diversity of the world. A cross-regional thematic emphasis and inter-textual methods of narrative and aesthetic analysis, will ground our discussion of films from Italy, Japan, United States, India, China, France, Brazil, Nigeria, Russia, Iran, Mexico, and a number of other countries. Particular emphasis will be placed on the multi-cultural character and the regional specificities of the cinema as a "universal language" and an inclusive "relational network."There are no prerequisites for this class. It is open to all students; non-majors welcome.

Offered in Spring 2027 at Stanford University.

Spring 2027 sections

  • Lecture — Thursday 10:30 AM – 1:20 PM — Levi, Pavle (Undergrad)

More FILMEDIA courses

  • FILMEDIA 100C: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)
  • FILMEDIA 101: Close Cinematic Analysis: Poetic Cinema (ARTHIST 199, ASNAMST 108, FEMGEN 104, FILMEDIA 301, TAPS 101F)
  • FILMEDIA 102: Theories of the Moving Image: The Technologically Mediated Image (FILMEDIA 302)
  • FILMEDIA 112: How French Women (Re)invented Cinema (FEMGEN 192, FRENCH 192, FRENCH 392)
  • FILMEDIA 116: From Kino-Eye to AI: The Technological Shaping of Documentary Truth (FILMEDIA 316)
  • FILMEDIA 131A: Introduction to Queer Theory (CSRE 131A, FEMGEN 131)
  • FILMEDIA 140: An Architectural Imagination (ARTHIST 140)
  • FILMEDIA 152A: Hella Cinematic: The Radical Impact of the Bay Area on Film (AFRICAAM 152, CSRE 152A)
  • FILMEDIA 167: The Hollywood Musical (FILMEDIA 367)
  • FILMEDIA 192: AI Art & Aesthetics (ARTSTUDI 192, ARTSTUDI 392, FILMEDIA 392, TAPS 192A)
  • FILMEDIA 193: Almodovar's Cinema (ILAC 193)
  • FILMEDIA 209: Iberian Cinema From the 1950s to the 2000s (ILAC 210)

All FILMEDIA courses · All departments