Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 213A

Film and Fascism (FRENCH 213, FRENCH 313, ITALIAN 212)

UNITS:3-5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:WAY-A-II

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini) or just after their fall used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them, as well as documentary and fiction looking back at this historical period post-war. Focus is on film analysis, media studies, history and conceptualization of fascism. Discussion and written assignments in ENGLISH. Films with English subtitles.

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Seminar 1Open
ID: 13466
0 / 18 enrolled
DAYS:Tuesday
TIME:1:30 PM – 4:20 PM
LOCATION:TBD
INSTRUCTOR:
Alduy, Cecile
units

FILMEDIA 213A: Film and Fascism (FRENCH 213, FRENCH 313, ITALIAN 212)

3-5 units · Letter or Credit/No Credit · GER: WAY-A-II

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini) or just after their fall used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them, as well as documentary and fiction looking back at this historical period post-war. Focus is on film analysis, media studies, history and conceptualization of fascism. Discussion and written assignments in ENGLISH. Films with English subtitles.

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Seminar — Tuesday 1:30 PM – 4:20 PM — Alduy, Cecile (Graduate)

More FILMEDIA courses

  • FILMEDIA 152A: Hella Cinematic: The Radical Impact of the Bay Area on Film (AFRICAAM 152, CSRE 152A)
  • FILMEDIA 167: The Hollywood Musical (FILMEDIA 367)
  • FILMEDIA 192: AI Art & Aesthetics (ARTSTUDI 192, ARTSTUDI 392, FILMEDIA 392, TAPS 192A)
  • FILMEDIA 193: Almodovar's Cinema (ILAC 193)
  • FILMEDIA 209: Iberian Cinema From the 1950s to the 2000s (ILAC 210)
  • FILMEDIA 210: Documentary Perspectives I (FILMEDIA 410)
  • FILMEDIA 226: The Films of Richard Linklater (FILMEDIA 426)
  • FILMEDIA 248: Outcasts, Superheroes, and Rebels: Identity and Social Justice in Latin(x) American Cinema (CHILATST 248, CSRE 250, ILAC 248)
  • FILMEDIA 264B: Starstuff: Space and the American Imagination (AMSTUD 143X, ARTHIST 264B)
  • FILMEDIA 275: The Russian and Soviet Avant-Garde (ARTHIST 275, ARTHIST 475A, FILMEDIA 475, REES 275A)
  • FILMEDIA 290: Movies and Methods: The Films of Howard Hawks (FILMEDIA 490)
  • FILMEDIA 295: Films & Media Studies Internship

All FILMEDIA courses · All departments