Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 392

AI Art & Aesthetics (ARTSTUDI 192, ARTSTUDI 392, FILMEDIA 192, TAPS 192A)

UNITS:5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

Co-taught by an artist and a media theorist, this course has two objectives: 1) to introduce students to key theories and debates around AI in contemporary art, and 2) to challenge students to make thoughtful, critical, and rigorous artworks of their own. Class meetings will be divided between seminar-style discussions, hands-on art practice sessions, workshops with artists, and critique sessions. Students will learn about artists who use machine learning and related algorithmic processes to create their work. The latter will be situated within a broader history of technical and aesthetic developments, including cybernetics, generative art, and aleatoric processes. The course positions AI art as a complex subject that demands equal consideration of technological, artistic, social, and philosophical concerns. It situates these elements within contemporary cultural realities and addresses critical aspects of working with AI, with a particular focus on ethical and political dimensions. Please note: Enrollment capacity is limited, and instructor permission is required. Students interested in taking the course must apply here:https://forms.gle/jshEkscg32xJ62oe6

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 12870
0 / 20 enrolled
DAYS:Monday
TIME:1:30 PM – 4:20 PM
LOCATION:Art Gallery 7
INSTRUCTOR:
Denson, Shane
5units

FILMEDIA 392: AI Art & Aesthetics (ARTSTUDI 192, ARTSTUDI 392, FILMEDIA 192, TAPS 192A)

5 units · Letter (ABCD/NP)

Co-taught by an artist and a media theorist, this course has two objectives: 1) to introduce students to key theories and debates around AI in contemporary art, and 2) to challenge students to make thoughtful, critical, and rigorous artworks of their own. Class meetings will be divided between seminar-style discussions, hands-on art practice sessions, workshops with artists, and critique sessions. Students will learn about artists who use machine learning and related algorithmic processes to create their work. The latter will be situated within a broader history of technical and aesthetic developments, including cybernetics, generative art, and aleatoric processes. The course positions AI art as a complex subject that demands equal consideration of technological, artistic, social, and philosophical concerns. It situates these elements within contemporary cultural realities and addresses critical aspects of working with AI, with a particular focus on ethical and political dimensions. Please note: Enrollment capacity is limited, and instructor permission is required. Students interested in taking the course must apply here:https://forms.gle/jshEkscg32xJ62oe6

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Lecture — Monday 1:30 PM – 4:20 PM — Art Gallery 7 — Denson, Shane (Graduate)

More FILMEDIA courses

  • FILMEDIA 301: Close Cinematic Analysis: Poetic Cinema (ARTHIST 199, ASNAMST 108, FEMGEN 104, FILMEDIA 101, TAPS 101F)
  • FILMEDIA 302: Theories of the Moving Image: The Technologically Mediated Image (FILMEDIA 102)
  • FILMEDIA 306: Media and Mediums (FILMEDIA 6)
  • FILMEDIA 316: From Kino-Eye to AI: The Technological Shaping of Documentary Truth (FILMEDIA 116)
  • FILMEDIA 335: Around the World in Ten Films (FILMEDIA 135, GLOBAL 135)
  • FILMEDIA 367: The Hollywood Musical (FILMEDIA 167)
  • FILMEDIA 410: Documentary Perspectives I (FILMEDIA 210)
  • FILMEDIA 412A: Lights, Cinema, and the Writer's Pencil! Vladimir Nabokov and Cinema (SLAVIC 212)
  • FILMEDIA 424: Films of Stanley Kubrick (FILMEDIA 224)
  • FILMEDIA 426: The Films of Richard Linklater (FILMEDIA 226)
  • FILMEDIA 430: Cinema and Ideology (ARTHIST 430)
  • FILMEDIA 453: Aesthetics and Phenomenology (ARTHIST 253, ARTHIST 453, FILMEDIA 253)

All FILMEDIA courses · All departments