Stanford Root

Schedule

Stanford Root

Schedule

FILMEDIA 4

Introduction to Film Study (CSRE 5)

UNITS:4-5
GRADING:Letter (ABCD/NP)
LEVEL:Undergrad
GER:WAY-A-II

Introduction to Film Study introduces you to film as art, as entertainment, a field of study, and an everyday cultural practice. This course enables you to analyze films in terms of their formal elements, themes, and narrative structures. You learn to 'read' details of cinematic 'language' such as the arrangement of shots (editing), the composition and framing of a shot (cinematography), the overall look of a film (mise-en-scene), and its sound environment. We not only identify such cinematic details, but also consider how they contribute to the overall meaning of a film. Thinking about film and writing about film are intricately linked and inform each other deeply. Learning to write about film with sophistication requires a grasp of the mechanics of writing, familiarity with film terminology, and an understanding of film theory and history. This course helps you develop skills in critical viewing, reading, and writing. We explore basic concepts that have been important to the study of film, such as genre, authorship, and stardom to comprehend how films make meaning within their social, political, cultural, and historical contexts.

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Lecture 1Open
ID: 25143
0 / 60 enrolled
Meeting 1 of 2
DAYS:Monday, Wednesday
TIME:1:30 PM – 2:50 PM
LOCATION:TBD
INSTRUCTOR:
Iyer, Usha
Meeting 2 of 2
DAYS:Friday
TIME:1:30 PM – 3:20 PM
LOCATION:TBD
INSTRUCTOR:
Iyer, Usha
units
Discussion 1Open
ID: 25142
0 / 999 enrolled
DAYS:TBD
TIME:TBD
LOCATION:TBD
units

FILMEDIA 4: Introduction to Film Study (CSRE 5)

4-5 units · Letter (ABCD/NP) · GER: WAY-A-II

Introduction to Film Study introduces you to film as art, as entertainment, a field of study, and an everyday cultural practice. This course enables you to analyze films in terms of their formal elements, themes, and narrative structures. You learn to 'read' details of cinematic 'language' such as the arrangement of shots (editing), the composition and framing of a shot (cinematography), the overall look of a film (mise-en-scene), and its sound environment. We not only identify such cinematic details, but also consider how they contribute to the overall meaning of a film. Thinking about film and writing about film are intricately linked and inform each other deeply. Learning to write about film with sophistication requires a grasp of the mechanics of writing, familiarity with film terminology, and an understanding of film theory and history. This course helps you develop skills in critical viewing, reading, and writing. We explore basic concepts that have been important to the study of film, such as genre, authorship, and stardom to comprehend how films make meaning within their social, political, cultural, and historical contexts.

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Discussion — TBA TBA (Undergrad)
  • Lecture — Monday Wednesday 1:30 PM – 2:50 PM — Iyer, Usha (Undergrad)

More FILMEDIA courses

  • FILMEDIA 6: Media and Mediums (FILMEDIA 306)
  • FILMEDIA 11Q: Art in the Metropolis (ARTSINST 11Q, ARTSTUDI 11Q, ENGLISH 11Q, MUSIC 11Q, TAPS 11Q)
  • FILMEDIA 38: Comics: More than Words (DLCL 238, ENGLISH 1C)
  • FILMEDIA 50Q: The Video Essay: Writing with Video about Media and Culture
  • FILMEDIA 87N: The New Wave: How The French Reinvented Cinema (FRENCH 87N)
  • FILMEDIA 100A: History of World Cinema I: Silent Cinema and Modern Life (FILMEDIA 300A)
  • FILMEDIA 100B: History of World Cinema II: Film as Industrial Art (FILMEDIA 300B)
  • FILMEDIA 100C: History of World Cinema III: Queer Cinemas Around the World (ARTHIST 164, ARTHIST 364, CSRE 102C, CSRE 302C, FEMGEN 100C, FEMGEN 300C, FILMEDIA 300C, GLOBAL 193, GLOBAL 390, TAPS 100C, TAPS 300C)
  • FILMEDIA 101: Close Cinematic Analysis: Poetic Cinema (ARTHIST 199, ASNAMST 108, FEMGEN 104, FILMEDIA 301, TAPS 101F)
  • FILMEDIA 102: Theories of the Moving Image: The Technologically Mediated Image (FILMEDIA 302)
  • FILMEDIA 112: How French Women (Re)invented Cinema (FEMGEN 192, FRENCH 192, FRENCH 392)
  • FILMEDIA 116: From Kino-Eye to AI: The Technological Shaping of Documentary Truth (FILMEDIA 316)

All FILMEDIA courses · All departments