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Stanford Root

Schedule

GERMAN 262

Embodied Crisis: Reimagining Humanity through Philosophy & Performance

UNITS:3-5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

Embodied Crisis: Reimagining Humanity through Philosophy & Performance is a cross-disciplinary course that explores how suffering, meaning, and transformation are represented across German philosophy, literature, theatre, poetry, fine art, and cultural festivals. Students engage with Nietzsche's existential thought, phenomenology, and posthuman theory through close readings of philosophical texts, as well as contemporary artworks and curatorial frameworks - such as Berlin's Transmediale Festival 2026. A central focus of the course is the body as a site of crisis, resistance, and renewal. Through engagement with performance works that foreground physical suffering and the limits of embodiment - such as those by Florentina Holzinger or Marina Abramovic - students examine whether posthumanism truly transcends human vulnerability and historical trauma. Assignments include analytical essays, reflective writing, and practical theatre rehearsals that enable students to explore philosophical concepts through embodied expression. This integrated approach encourages both critical and creative responses to the shifting boundaries of human identity in German cultural production, showing how theatre and the arts reflect - and challenge - broader social, political, and philosophical transformations.

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GERMAN 262: Embodied Crisis: Reimagining Humanity through Philosophy & Performance

3-5 units · Letter or Credit/No Credit

Embodied Crisis: Reimagining Humanity through Philosophy & Performance is a cross-disciplinary course that explores how suffering, meaning, and transformation are represented across German philosophy, literature, theatre, poetry, fine art, and cultural festivals. Students engage with Nietzsche's existential thought, phenomenology, and posthuman theory through close readings of philosophical texts, as well as contemporary artworks and curatorial frameworks - such as Berlin's Transmediale Festival 2026. A central focus of the course is the body as a site of crisis, resistance, and renewal. Through engagement with performance works that foreground physical suffering and the limits of embodiment - such as those by Florentina Holzinger or Marina Abramovic - students examine whether posthumanism truly transcends human vulnerability and historical trauma. Assignments include analytical essays, reflective writing, and practical theatre rehearsals that enable students to explore philosophical concepts through embodied expression. This integrated approach encourages both critical and creative responses to the shifting boundaries of human identity in German cultural production, showing how theatre and the arts reflect - and challenge - broader social, political, and philosophical transformations.

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  • GERMAN 242: Middle High German
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  • GERMAN 278: Women Writing War (COMPLIT 278, FEMGEN 278A)
  • GERMAN 279: Literature and the Practice of Freedom (COMPLIT 279, COMPLIT 379, ENGLISH 279A, ENGLISH 379A, GERMAN 379)

All GERMAN courses · All departments