Stanford Root

Schedule

Stanford Root

Schedule

ITALIAN 212

Film and Fascism (FILMEDIA 213A, FRENCH 213, FRENCH 313)

UNITS:3-5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini) or just after their fall used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them, as well as documentary and fiction looking back at this historical period post-war. Focus is on film analysis, media studies, history and conceptualization of fascism. Discussion and written assignments in ENGLISH. Films with English subtitles.

Syllabus not available for this section

Sections

0 Terms
No sections available.

ITALIAN 212: Film and Fascism (FILMEDIA 213A, FRENCH 213, FRENCH 313)

3-5 units · Letter or Credit/No Credit

Controlling people's minds through propaganda is an integral part of fascist regimes' totalitarianism. In the interwar, cinema, a relatively recent mass media, was immediately seized upon by fascist regimes to produce aggrandizing national narratives, justify their expansionist and extermination policies, celebrate the myth of the "Leader," and indoctrinate the people. Yet film makers under these regimes (Rossellini) or just after their fall used the same media to explore and expose how they manufactured conformism, obedience, and mass murder and to interrogate fascism. We will watch films produced by or under European fascist regimes (Nazi Germany, Italy under Mussolini, Greece's Regime of the Colonels) but also against them, as well as documentary and fiction looking back at this historical period post-war. Focus is on film analysis, media studies, history and conceptualization of fascism. Discussion and written assignments in ENGLISH. Films with English subtitles.

More ITALIAN courses

  • ITALIAN 175: CAPITALS: How Cities Shape Cultures, States, and People (COMPLIT 100, DLCL 100, FRENCH 175, GERMAN 175, HISTORY 106E, ILAC 175, URBANST 153)
  • ITALIAN 181: Philosophy and Literature (CLASSICS 42, COMPLIT 181, ENGLISH 81, FRENCH 181, GERMAN 181, ILAC 181, PHIL 81, SLAVIC 181)
  • ITALIAN 189: Writing About Italy
  • ITALIAN 199: Individual Work
  • ITALIAN 202: Queer Romance (COMPLIT 203R, ENGLISH 302R, FRENCH 203, FRENCH 303)
  • ITALIAN 205: Songs of Love and War: Gender, Crusade, Politics (FEMGEN 205, FRENCH 205, FRENCH 305, ITALIAN 305)
  • ITALIAN 217: Love, Death and the Afterlife in the Medieval West (FRENCH 217, FRENCH 317, HISTORY 217D, HISTORY 317D, ITALIAN 317)
  • ITALIAN 237: Michelangelo: Gateway to Early Modern Italy (ARTHIST 218A, ARTHIST 418A, HISTORY 237B, HISTORY 337B, ITALIAN 337)
  • ITALIAN 240: Great Minds of the Italian Renaissance and their World (ARTHIST 210, HISTORY 240C, ITALIAN 140)
  • ITALIAN 251: Writing, Memory, and the Self (FRENCH 251, FRENCH 351, ITALIAN 351)
  • ITALIAN 265: Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 365)
  • ITALIAN 305: Songs of Love and War: Gender, Crusade, Politics (FEMGEN 205, FRENCH 205, FRENCH 305, ITALIAN 205)

All ITALIAN courses · All departments