Stanford Root

Schedule

Stanford Root

Schedule

ITALIAN 317

Love, Death and the Afterlife in the Medieval West (FRENCH 217, FRENCH 317, HISTORY 217D, HISTORY 317D, ITALIAN 217)

UNITS:4-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

Romantic love, it is often claimed, is an invention of the High Middle Ages. The vocabulary of sexual desire that is still current in the twenty-first century was authored in the twelfth and thirteenth, by troubadours, court poets, writers like Dante; even by crusaders returning from the eastern Mediterranean. How did this devout society come to elevate the experience of sensual love? This course draws on primary sources such as medieval songs, folktales, the "epic rap battles" of the thirteenth century, along with the writings of Boccaccio, Saint Augustine and others, to understand the unexpected connections between love, death, and the afterlife from late antiquity to the fourteenth century. Each week, we will use a literary or artistic work as an interpretive window into cultural attitudes towards love, death or the afterlife. These readings are analyzed in tandem with major historical developments, including the rise of Christianity, the emergence of feudal society and chivalric culture, the crusading movement, and the social breakdown of the fourteenth century.

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ITALIAN 317: Love, Death and the Afterlife in the Medieval West (FRENCH 217, FRENCH 317, HISTORY 217D, HISTORY 317D, ITALIAN 217)

4-5 units · Letter (ABCD/NP)

Romantic love, it is often claimed, is an invention of the High Middle Ages. The vocabulary of sexual desire that is still current in the twenty-first century was authored in the twelfth and thirteenth, by troubadours, court poets, writers like Dante; even by crusaders returning from the eastern Mediterranean. How did this devout society come to elevate the experience of sensual love? This course draws on primary sources such as medieval songs, folktales, the "epic rap battles" of the thirteenth century, along with the writings of Boccaccio, Saint Augustine and others, to understand the unexpected connections between love, death, and the afterlife from late antiquity to the fourteenth century. Each week, we will use a literary or artistic work as an interpretive window into cultural attitudes towards love, death or the afterlife. These readings are analyzed in tandem with major historical developments, including the rise of Christianity, the emergence of feudal society and chivalric culture, the crusading movement, and the social breakdown of the fourteenth century.

More ITALIAN courses

  • ITALIAN 217: Love, Death and the Afterlife in the Medieval West (FRENCH 217, FRENCH 317, HISTORY 217D, HISTORY 317D, ITALIAN 317)
  • ITALIAN 237: Michelangelo: Gateway to Early Modern Italy (ARTHIST 218A, ARTHIST 418A, HISTORY 237B, HISTORY 337B, ITALIAN 337)
  • ITALIAN 240: Great Minds of the Italian Renaissance and their World (ARTHIST 210, HISTORY 240C, ITALIAN 140)
  • ITALIAN 251: Writing, Memory, and the Self (FRENCH 251, FRENCH 351, ITALIAN 351)
  • ITALIAN 265: Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 365)
  • ITALIAN 305: Songs of Love and War: Gender, Crusade, Politics (FEMGEN 205, FRENCH 205, FRENCH 305, ITALIAN 205)
  • ITALIAN 328: Literature, Narrative, and the Self (COMPLIT 328, ENGLISH 328, FRENCH 328)
  • ITALIAN 337: Michelangelo: Gateway to Early Modern Italy (ARTHIST 218A, ARTHIST 418A, HISTORY 237B, HISTORY 337B, ITALIAN 237)
  • ITALIAN 351: Writing, Memory, and the Self (FRENCH 251, FRENCH 351, ITALIAN 251)
  • ITALIAN 365: Word and Image (ARTHIST 265A, ARTHIST 465A, COMPLIT 225, ITALIAN 265)
  • ITALIAN 369: Introduction to the Profession of Literary Studies (COMPLIT 369, DLCL 369, FRENCH 369, GERMAN 369, ILAC 369G, SLAVIC 369G)
  • ITALIAN 375: Navigating Chaos: Literature, Prime Matter, and the Ocean (COMPLIT 375)

All ITALIAN courses · All departments