Stanford Root

Schedule

Stanford Root

Schedule

JAPAN 389

Seminar in Premodern Japanese Literature

UNITS:2-5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

This course examines literary practices in early modern Japan, exploring the emergence of a dynamic media ecology characterized by the rise of urban readership, commercial print economies, and a celebrity-driven performing arts industry. We trace the transregional networks of amateur poets and painters, as well as the influential "National Learning" movement's efforts to ground national identity in philology. A central theme is the transformation of the literary heritage of previous centuries through canonization, popularization, pedagogicization, and parody (mitate). From the pulp satire of kibyoshi and the wit of sharebon to kabuki theater and the birth of haiku, we analyze texts with a focus on materiality, circulation, authorship, and censorship. Students will be introduced to fundamental paleographical techniques for reading manuscript and woodblock editions, supplemented by modern editions and English translations. (Note: This seminar forms part of a three-year cycle on classical, medieval, and early modern literatures.)

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Seminar 1Open
ID: 12939
0 / 20 enrolled
DAYS:Wednesday
TIME:1:30 PM – 4:20 PM
LOCATION:TBD
INSTRUCTOR:
Stilerman, Ariel
units

JAPAN 389: Seminar in Premodern Japanese Literature

2-5 units · Letter or Credit/No Credit

This course examines literary practices in early modern Japan, exploring the emergence of a dynamic media ecology characterized by the rise of urban readership, commercial print economies, and a celebrity-driven performing arts industry. We trace the transregional networks of amateur poets and painters, as well as the influential "National Learning" movement's efforts to ground national identity in philology. A central theme is the transformation of the literary heritage of previous centuries through canonization, popularization, pedagogicization, and parody (mitate). From the pulp satire of kibyoshi and the wit of sharebon to kabuki theater and the birth of haiku, we analyze texts with a focus on materiality, circulation, authorship, and censorship. Students will be introduced to fundamental paleographical techniques for reading manuscript and woodblock editions, supplemented by modern editions and English translations. (Note: This seminar forms part of a three-year cycle on classical, medieval, and early modern literatures.)

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Seminar — Wednesday 1:30 PM – 4:20 PM — Stilerman, Ariel (Graduate)

More JAPAN courses

  • JAPAN 251: Japanese Business Culture and Systems (JAPAN 151)
  • JAPAN 264: Introduction to Premodern Japanese (JAPAN 164)
  • JAPAN 265: Readings in Premodern Japanese (JAPAN 165)
  • JAPAN 279: Research in Japanese Linguistics
  • JAPAN 288: The Japanese Tea Ceremony: The History, Aesthetics, and Politics Behind a National Pastime (ARTHIST 287A, JAPAN 188)
  • JAPAN 293: Acquisition of Japanese as a Second Language (JAPAN 193)
  • JAPAN 297: Points in Japanese Grammar (JAPAN 197)
  • JAPAN 298: The Theory and Practice of Japanese Literary Translation
  • JAPAN 317B: Music and Sound in Buddhism (JAPAN 217B, RELIGST 217B, RELIGST 317B)
  • JAPAN 392D: Japan in Asia, Asia in Japan (HISTORY 292D, HISTORY 392D)
  • JAPAN 396: Seminar in Modern Japanese Literature
  • JAPAN 396D: Historiography of Modern Japan (HISTORY 396D)

All JAPAN courses · All departments