Stanford Root

Schedule

Stanford Root

Schedule

MATSCI 224

Materials of Fine Art: The Science and History of the Material Foundation of Artistic Expression (MATSCI 124)

UNITS:1
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

This introductory seminar will cover the material science, metalurgy, physics, and chemistry of pigments, glazes, varnishes, paper, parchment, and alloys widely used in artistic creations, primarily paintings, prints, ceramics, and sculpture. Much of the historical discovery and exploration of these materials has been by artists themselves in a pre- or non-scientific eras where experimentation led artists to discover facts and principles that were understood scientifically centuries later. Topics will include the sources of color in natural and synthetic pigments and the optics of their mixing, the physics of patterns of cracks in drying paints and fired ceramics, the chemical and material transformations in clay and ceramic during artistic creation, and the metalurgy underlying the surface (patina) of metal sculpture. We shall see again and again how artists have exploited the underlying scientific and engineering principles as an integral part of their artistic expression. Students will have short weekly homeworks and a final project paper.

Syllabus for selected term:
View Winter 2027 Syllabus

Sections

1 Term
Seminar 1Open
ID: 6531
0 / 16 enrolled
DAYS:Tuesday
TIME:1:30 PM – 2:50 PM
LOCATION:TBD
INSTRUCTOR:
Stork, David
1unit

MATSCI 224: Materials of Fine Art: The Science and History of the Material Foundation of Artistic Expression (MATSCI 124)

1 units · Letter (ABCD/NP)

This introductory seminar will cover the material science, metalurgy, physics, and chemistry of pigments, glazes, varnishes, paper, parchment, and alloys widely used in artistic creations, primarily paintings, prints, ceramics, and sculpture. Much of the historical discovery and exploration of these materials has been by artists themselves in a pre- or non-scientific eras where experimentation led artists to discover facts and principles that were understood scientifically centuries later. Topics will include the sources of color in natural and synthetic pigments and the optics of their mixing, the physics of patterns of cracks in drying paints and fired ceramics, the chemical and material transformations in clay and ceramic during artistic creation, and the metalurgy underlying the surface (patina) of metal sculpture. We shall see again and again how artists have exploited the underlying scientific and engineering principles as an integral part of their artistic expression. Students will have short weekly homeworks and a final project paper.

Offered in Winter 2027 at Stanford University.

Winter 2027 sections

  • Seminar — Tuesday 1:30 PM – 2:50 PM — Stork, David (Graduate)

More MATSCI courses

  • MATSCI 212: Rate Processes in Materials
  • MATSCI 213: Defects and Disorder in Materials
  • MATSCI 214: Structure and Symmetry
  • MATSCI 215: Quantum Mechanics for Materials Science
  • MATSCI 220: Bioelectronics (EE 120, EE 220, MATSCI 120)
  • MATSCI 222: Visual Communication in Materials Science (MATSCI 122)
  • MATSCI 225: Biochips and Medical Imaging (EE 225, SBIO 225)
  • MATSCI 226: Invention to Innovation: The Process of Translation (MATSCI 126)
  • MATSCI 230: Materials Science Colloquium
  • MATSCI 231: Materials Science Research Advising
  • MATSCI 232: Ethics and Broader Impacts in Materials Science
  • MATSCI 236: An Introduction to Quantitative X-ray Microanalysis (EPS 216, GEOPHYS 236)

All MATSCI courses · All departments