Stanford Root

Schedule

Stanford Root

Schedule

FEMGEN 260

Black Women, Trauma, and the Art of Resistance (AMSTUD 260, HISTORY 260, HISTORY 360)

UNITS:3-5
GRADING:Letter (ABCD/NP)
LEVEL:Graduate
GER:—

This course explores how Black women have experienced, remembered, and recovered from trauma. Drawing on historical texts, works in psychology, legal records, medical literature, diaries, novels, poetry, plays, songs, and films, we will consider how Black women recorded, passed down, and inherited stories about traumatic events. We begin in the seventeenth and eighteenth centuries with Black women's experiences on slave ships and during slavery, we discuss intergenerational trauma, and we conclude by examining the disproportionate impact of COVID-FEMGEN 19 on Black women's lives. We pay considerable attention to how Black women relied on the arts to speak the unspeakable. The class will centrally address healing, recovery, and resistance. We will read texts by writers, activists, legal scholars, and artists including Harriet Jacobs, Ida B. Wells, Billie Holiday, Nina Simone, Toni Morrison, Ntozake Shange, bell hooks, Saidiya Hartman, Kimberle Crenshaw, and Jesmyn Ward.

Syllabus not available for this section

Sections

0 Terms
No sections available.

FEMGEN 260: Black Women, Trauma, and the Art of Resistance (AMSTUD 260, HISTORY 260, HISTORY 360)

3-5 units · Letter (ABCD/NP)

This course explores how Black women have experienced, remembered, and recovered from trauma. Drawing on historical texts, works in psychology, legal records, medical literature, diaries, novels, poetry, plays, songs, and films, we will consider how Black women recorded, passed down, and inherited stories about traumatic events. We begin in the seventeenth and eighteenth centuries with Black women's experiences on slave ships and during slavery, we discuss intergenerational trauma, and we conclude by examining the disproportionate impact of COVID-19 on Black women's lives. We pay considerable attention to how Black women relied on the arts to speak the unspeakable. The class will centrally address healing, recovery, and resistance. We will read texts by writers, activists, legal scholars, and artists including Harriet Jacobs, Ida B. Wells, Billie Holiday, Nina Simone, Toni Morrison, Ntozake Shange, bell hooks, Saidiya Hartman, Kimberle Crenshaw, and Jesmyn Ward.

More FEMGEN courses

  • FEMGEN 252: Gender, Work, and the Global Digital Economy
  • FEMGEN 255: The Changing American Family (FEMGEN 155, SOC 155, SOC 255)
  • FEMGEN 255M: Identity in the American Imagination (AFRICAAM 255, AMSTUD 255D, CSRE 255D, HISTORY 255D, HISTORY 355D)
  • FEMGEN 256: Current Topics and Controversies in Women's Health (CHPR 256, HUMBIO 125)
  • FEMGEN 257X: Simone Weil, Simone de Beauvoir, Hannah Arendt, and Adriana Cavarero (COMPLIT 257, COMPLIT 357A, FEMGEN 357X, FRENCH 257, FRENCH 357, ITALIAN 257, ITALIAN 357)
  • FEMGEN 258X: Black Feminist Theater and Theory (AFRICAAM 258, AMSTUD 258B, CSRE 258, TAPS 258)
  • FEMGEN 260L: On the Basis of Sex: Gender & the Constitution in U.S. History (HISTORY 260L)
  • FEMGEN 262: Sex and the Early Church (CLASSICS 262, FEMGEN 362R, RELIGST 262, RELIGST 362)
  • FEMGEN 262A: Taylor Swift and Millennial America (AMSTUD 262A, HISTORY 262A)
  • FEMGEN 264S: Race, Gender, Justice (COMPLIT 264S, CSRE 264S, TAPS 264S)
  • FEMGEN 265: Comparative Methodologies in Black Sexuality, Queer, and Transgender Studies
  • FEMGEN 278A: Women Writing War (COMPLIT 278, GERMAN 278)

All FEMGEN courses · All departments