Stanford Root

Schedule

Stanford Root

Schedule

FEMGEN 278A

Women Writing War (COMPLIT 278, GERMAN 278)

UNITS:3-5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

War stories, ubiquitous as they are, are not typically women's stories. More often than not, they are written by men, about men, and, in many cases, for men - often told from the front lines and battlefields. The horrors of war test the boundaries of representation in any case, but how might we begin to see military conflicts and their aftermaths differently when women tell the story? This seminar investigates writings about war by female authors of fiction and reportage, primarily, but also of poetry and drama. We will focus on 20th- and 21st-century conflicts from around the globe - World Wars I and II; conflicts in the Middle East, including the 1948 Arab-Israeli War, the Lebanese Civil War, and the Iraq War; the Nigerian and Rwandan Civil Wars; and the ongoing Russo-Ukrainian War - as we explore how feminist literary praxis decenters and subverts classic war stories. All texts will be read in English translation.

Syllabus not available for this section

Sections

0 Terms
No sections available.

FEMGEN 278A: Women Writing War (COMPLIT 278, GERMAN 278)

3-5 units · Letter or Credit/No Credit

War stories, ubiquitous as they are, are not typically women's stories. More often than not, they are written by men, about men, and, in many cases, for men - often told from the front lines and battlefields. The horrors of war test the boundaries of representation in any case, but how might we begin to see military conflicts and their aftermaths differently when women tell the story? This seminar investigates writings about war by female authors of fiction and reportage, primarily, but also of poetry and drama. We will focus on 20th- and 21st-century conflicts from around the globe - World Wars I and II; conflicts in the Middle East, including the 1948 Arab-Israeli War, the Lebanese Civil War, and the Iraq War; the Nigerian and Rwandan Civil Wars; and the ongoing Russo-Ukrainian War - as we explore how feminist literary praxis decenters and subverts classic war stories. All texts will be read in English translation.

More FEMGEN courses

  • FEMGEN 260: Black Women, Trauma, and the Art of Resistance (AMSTUD 260, HISTORY 260, HISTORY 360)
  • FEMGEN 260L: On the Basis of Sex: Gender & the Constitution in U.S. History (HISTORY 260L)
  • FEMGEN 262: Sex and the Early Church (CLASSICS 262, FEMGEN 362R, RELIGST 262, RELIGST 362)
  • FEMGEN 262A: Taylor Swift and Millennial America (AMSTUD 262A, HISTORY 262A)
  • FEMGEN 264S: Race, Gender, Justice (COMPLIT 264S, CSRE 264S, TAPS 264S)
  • FEMGEN 265: Comparative Methodologies in Black Sexuality, Queer, and Transgender Studies
  • FEMGEN 283F: Recovering Lost Voices: French and Francophone Women Writers from the Middle Ages to the Present (COMPLIT 283F, COMPLIT 383F, FEMGEN 383F, FRENCH 283, FRENCH 383)
  • FEMGEN 287X: Sex, Gender, and Violence: French and Francophone Women Writers Today (FEMGEN 387X, FRENCH 287, FRENCH 387)
  • FEMGEN 292B: Contemporary Black Feminist Paths (AFRICAAM 292, ENGLISH 292B)
  • FEMGEN 299: Graduate Workshop: Feminist, Gender, and Sexuality Studies
  • FEMGEN 300J: Methods for Studying Gender and Sexuality in Music (MUSIC 300J)
  • FEMGEN 302: Global Feminisms (FEMGEN 202)

All FEMGEN courses · All departments