Stanford Root

Schedule

Stanford Root

Schedule

TAPS 246

German Theater from Schiller to Brecht (GERMAN 246, GERMAN 346, TAPS 346)

UNITS:3-5
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

A history of the German stage from roughly 1800 to 1950, with particular attention to the work of prominent playwrights such as Schiller, Kleist, Buchner, Wedekind, Lasker-Schuler, Fleisser, and Brecht. We will place these artists and their works in the context of German history while also considering their relation to international developments in theater arts. Questions we will consider include: How did the theater relate to national identity? How did the theater serve or oppose political revolution? How was authenticity performed in the theater and how did this change? And how did developments in theater relate to concurrent developments in science and philosophy? Taught in English, with option of reading in English or German.

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TAPS 246: German Theater from Schiller to Brecht (GERMAN 246, GERMAN 346, TAPS 346)

3-5 units · Letter or Credit/No Credit

A history of the German stage from roughly 1800 to 1950, with particular attention to the work of prominent playwrights such as Schiller, Kleist, Buchner, Wedekind, Lasker-Schuler, Fleisser, and Brecht. We will place these artists and their works in the context of German history while also considering their relation to international developments in theater arts. Questions we will consider include: How did the theater relate to national identity? How did the theater serve or oppose political revolution? How was authenticity performed in the theater and how did this change? And how did developments in theater relate to concurrent developments in science and philosophy? Taught in English, with option of reading in English or German.

More TAPS courses

  • TAPS 233: TAPS Production Units: Scenic Design
  • TAPS 234: TAPS Production Units: Advanced Stage Management
  • TAPS 235: TAPS Production Units: Dramaturgy
  • TAPS 236: TAPS Production Units: Directing
  • TAPS 238: TAPS Production Units: Sound Design
  • TAPS 239: TAPS Production Units: Music
  • TAPS 250E: Exhibition/Performance: Identities on Display (AMSTUD 250E, FEMGEN 250E, NATIVEAM 250E)
  • TAPS 250T: Queer Indigenous Performances in the Americas (FEMGEN 250T, NATIVEAM 250T)
  • TAPS 255L: Critical Practice Lab
  • TAPS 255M: Indigenous Methodologies of Dance, Movement, and Other Ways of Knowing
  • TAPS 258: Black Feminist Theater and Theory (AFRICAAM 258, AMSTUD 258B, CSRE 258, FEMGEN 258X)
  • TAPS 260E: The Sacred at Hand (COMPLIT 260, COMPLIT 360, GERMAN 260E)

All TAPS courses · All departments