Stanford Root

Schedule

Stanford Root

Schedule

TAPS 250T

Queer Indigenous Performances in the Americas (FEMGEN 250T, NATIVEAM 250T)

UNITS:4
GRADING:Letter or Credit/No Credit
LEVEL:Graduate
GER:—

This course introduces you to critical themes on queer Indigenous danzas and performances in the Americas continent. Students will engage with queer theory, Critical Indigenous Studies, and Performance Studies to analyze how queer Indigenous people, through public and intimate performances, reclaim their bodies and seek dignified recognition in their Indigenous communities in the contemporary era. Students will analyze the cultural role that the queer Indigenous body in movement and improvisation plays in redefining gender and sexual roles in Indigenous communities in Brazil, Peru, Mexico, Guatemala, the United States and other regions. We will also study what role queer Indigenous people occupy in their communities beyond the performance space and the violence many of them experience outside the fiestas and ceremonies. We will host some guest lecturers (including queer Indigenous performers), who will share their direct experience dancing in the public space in their communities. Some options for the final project include a Queer Indigenous Performance Symposium, an Art Gallery, and a critical essay (we will determine what will be the final project with the students in the first week of class).

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TAPS 250T: Queer Indigenous Performances in the Americas (FEMGEN 250T, NATIVEAM 250T)

4 units · Letter or Credit/No Credit

This course introduces you to critical themes on queer Indigenous danzas and performances in the Americas continent. Students will engage with queer theory, Critical Indigenous Studies, and Performance Studies to analyze how queer Indigenous people, through public and intimate performances, reclaim their bodies and seek dignified recognition in their Indigenous communities in the contemporary era. Students will analyze the cultural role that the queer Indigenous body in movement and improvisation plays in redefining gender and sexual roles in Indigenous communities in Brazil, Peru, Mexico, Guatemala, the United States and other regions. We will also study what role queer Indigenous people occupy in their communities beyond the performance space and the violence many of them experience outside the fiestas and ceremonies. We will host some guest lecturers (including queer Indigenous performers), who will share their direct experience dancing in the public space in their communities. Some options for the final project include a Queer Indigenous Performance Symposium, an Art Gallery, and a critical essay (we will determine what will be the final project with the students in the first week of class).

More TAPS courses

  • TAPS 235: TAPS Production Units: Dramaturgy
  • TAPS 236: TAPS Production Units: Directing
  • TAPS 238: TAPS Production Units: Sound Design
  • TAPS 239: TAPS Production Units: Music
  • TAPS 246: German Theater from Schiller to Brecht (GERMAN 246, GERMAN 346, TAPS 346)
  • TAPS 250E: Exhibition/Performance: Identities on Display (AMSTUD 250E, FEMGEN 250E, NATIVEAM 250E)
  • TAPS 255L: Critical Practice Lab
  • TAPS 255M: Indigenous Methodologies of Dance, Movement, and Other Ways of Knowing
  • TAPS 258: Black Feminist Theater and Theory (AFRICAAM 258, AMSTUD 258B, CSRE 258, FEMGEN 258X)
  • TAPS 260E: The Sacred at Hand (COMPLIT 260, COMPLIT 360, GERMAN 260E)
  • TAPS 260P: Performance Art (ARTSTUDI 160M, ARTSTUDI 260M, TAPS 160P)
  • TAPS 264S: Race, Gender, Justice (COMPLIT 264S, CSRE 264S, FEMGEN 264S)

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